Showing posts with label Madison (WI). Show all posts
Showing posts with label Madison (WI). Show all posts

Saturday, March 19, 2016

Pegasus Games: Madison's community fun resource & WORT underwriter

Song from the 1920s

"A [person] only plays when, in the full meaning of the word, (s)he is a [person], and (s)he is only completely a [person] when (s)he plays."  - Friedrich Schiller, "On the Aesthetic Education of Man"

Pioneering Dutch cultural historian Johan Huizinga argues in Homo ludens (Playing Human, 1938) that play is primary to - indeed it's a necessary (albeit insufficient) condition for - the generation of culture itself. In other words, playing is the ultimate non-profit, unproductive, yet freedom-inspiring activity human beings engage in.

Huizinga (1872-1945) outspokenly opposed the Nazi killjoys who occupied his country during World War II.  That was not a good time for fun and games in Europe. Things improved after the war, of course, when America went crazy for group-participatory board games.

Hobby gaming, including role-play games, remains a popular way to play in our increasingly digital-electronic age. Madison offers many opportunities to play and thereby generate positive culture, including those offered by one of WORT 89.9 FM Community Radio's loyal underwriters, Pegasus Games.

Named for the mythical winged steed created by Zeus for his son Hercules to fight Hades, Pegasus Games was created in August 1980 in a converted house off State Street in downtown Madison by three friends.

That store closed in 2002, due mostly to changes in gaming habits among college students, according to Pegasus Games official Boss Lady Lory Aitken.

In 1991, Pegasus opened a store on Madison’s west side (at Market Square Shopping Center on Odana Road). The business has thrived, expanding in order to provide space for players, who throng there evenings and weekends.

I observed a group of six guys playing Champions in the back room at Pegasus Games on an early March Saturday afternoon.  The shop is fun to peruse, with its diverse gaming miniatures (don't call them "action figures"), marble chess sets and games like Zombicide filling the shelves.

I recently posed a few questions to Pegasus Games co-owner Lory Aitken.

Joe Crawford Mrazek (for WORT): What do you mean by the Pegasus Games motto "Games You Never Outgrow"?

Lory Aitken (for Pegasus Games): Games are not just for children!  Play is good for humans at ALL stages of life.  Science has proven it!  Not only is PLAY of any sort good for stress levels, using our brains is good for staying sharp as we age.

WORT: How do you think tangible (i.e. board & role-play) games will evolve in the future, especially in a culture already cluttered with digital/electronic games?

Pegasus Games: There's a strident backlash against electronic games, mostly on the parts of parents and grandparents who want to see more of the (grand-)kids than the tops of their heads as they bend over their electronics.  Games are GREAT for socialization, too!  Young professionals also seem to enjoy actually engaging with humans, when they're not at work dealing with electronics.

WORT: Why does Pegasus Games support WORT 89.9 FM Community Radio, given the fact that you already reach potential customers statewide through your underwriting at Wisconsin Public Radio?

Pegasus Games: We assume that the same folks who enjoy local radio are people who enjoy both using their brains and sharing the company of other human beings.

Pegasus also means "poetic inspiration."  Get inspired to play more by visiting WORT Underwriter Pegasus Games! Tell them you appreciate their support for WORT while you're there.

motto:  Games you never outgrow


http://www.pegasusgames.com/

Sunday, January 31, 2016

Chantal Akerman (1950-2015): The Passing of Time on Film & in Life

Chantal Akerman in 2012 (photo by Mario De Munck) 

Reviewing:
I Don't Belong Anywhere:  The Cinema of Chantal Akerman - documentary, directed by Marianne Lambert  (Belgium, 2015, 67 minutes); and 
No Home Movie - documentary, directed by Chantal Akerman (Belgium, 2015, 115 minutes)

The death of experimental filmmaker Chantal Akerman, an apparent suicide, on October 5th was a personal tragedy for her sister Sylviane Akerman, the sole surviving member of their immediate family.  It was also a major loss for world cinema & the art scene in general.  You should get to know Ms. Akerman, if you don't already, especially now that she can't produce any new work.

Viewing No Home Movie & I Don't Belong Anywhere at the University of Wisconsin's Cinematheque in Madison last weekend moved me.  They not only gave me a deeper appreciation for avant-garde film, they also left me with a profound sympathy for a woman I'd only vaguely heard of before.  

This Jewish lesbian, the elder daughter of Auschwitz survivors, was a vital humanist who made just one mainstream "commercial" movie in English, the romantic comedy & box-office bomb A Couch in New York (1997), starring Juliette Binoche & William Hurt.  

Her esteem among cinephiles & adventurous critics is based primarily on a film released when Akerman was 24 years old, a mesmerizingly minimalist 201-minute study of a middle-aged woman. Bearing the prosaic title Jeanne Dielman, 23 Quai du commerce, 1080 Bruxelles (1975), it concerns a Holocaust survivor who eventually murders a man who pays her for sex.

This weird feminist masterpiece, structured in long steady takes with soft ambient sound, even influenced such notable male directors as the Austrian Michael Haneke as well as Americans Gus Van Sant & Todd Haynes.  In it, Akerman used images to suggest that "the domestic lives of women are the stuff of art," according to critic & devoted fan Richard Brody (see http://www.newyorker.com/culture/richard-brody/postscript-chantal-akerman.)

In his New Yorker tribute, Brody claims that Akerman's early films prove that "the pressures of women's unquestioned, unchallenged, and unrelieved confinement in the domestic realm and in family roles is a societal folly that leads to ruin, a form of violence that begets violence."  Throughout her career, she disrupted the escapist tendencies of film, a la Bertolt Brecht's "alienation effect" in theater.  

Akerman was an enfant terrible, a film-school dropout who acted in her apocalyptic first short film (Blow Up My Town) at age 18.  After moving to New York at age 21, she joined the circle of experimental filmmakers loosely led & sustained by Jonas Mekas.  Akerman remained a determined & clever iconoclast throughout her life.  

During an extensive series of interviews for I Don't Belong Anywhere - conducted in New York, Europe & (apparently) Israel - Akerman shares several revealing, provocative thoughts with fellow director Marianne Lambert.  She asserts, for example, that the line between fictional movies & documentary film is necessarily fluid. 

"As soon as you create a frame [for a cinematic shot], it's a fiction," Akerman points out.  She always aimed "to make people feel the passing of time" in her films.  The static effect can be boring, even excruciating in its refusal to tell a conventionally entertaining story.  But the result rarely seems contrived or intentionally dull, as in the experimental films of Andy Warhol.  Hers ring eerily true to life.

We see Akerman's theories demonstrated perfectly in No Home Movie.  A poetic melancholy documentary about Akerman's affectionate relationship with her ailing mother Natalia, who died in 2014, the film drained the director emotionally.  By depicting mundane conversations (some via Skype) with her beloved "maminka," Akerman gently bonds the audience to them both.  Lengthy interspersed shots of landscapes, some through the window of a car, offer respite from all the understated mother-daughter drama.

Following a hostile reception after the press screening at the Locarno (Switzerland) film festival, Akerman took her own life, according to a report in Le Monde (see http://www.nytimes.com/2015/10/07/arts/chantal-akerman-belgian-filmmaker-dies-65.html?_r=0).  Sylviane Akerman said that her gifted sister had been hospitalized for depression in Paris shortly before attending the Locarno event.

Acting on firm principal, Akerman refused to participate in film festivals dedicated only to works by gay, Jewish or female directors, regarding them as ghettoizing.  She considered herself a nomad, as reflected in the ambiguous title of her final film, No Home Movie.  In fact, she embodied the modern Jewish diaspora in microcosm by maintaining simultaneous residences in the United States, France & Israel.

Here's a sample of the sensitive, provocative voice of Chantal Akerman, from a 2011 online interview (see http://www.lolajournal.com/2/pajama.html) prompted by the release of Almayer's Folly (2011), an "ecstatic, hallucinatory yet trenchantly political" (per Brody) adaptation of Joseph Conrad's novel of the same name, shot on location in Cambodia:  

"To make ‘art’ is usually wonderful. The art market is another thing. It’s often tied to power, to the phallus – but not always.

"In cinema, when you make a film, even for four people, anybody at all can enter the darkened theater; it’s democratic. In the art world, there’s an elitism that reigns sometimes that’s tied to capital. Fortunately, not always. In the Renaissance, the Medicis let Michaelangelo make revolutionary work like ‘The Slaves.’ Claude Berri, who, like my father, was a small Jew who came from leather and fur, would get up and say he was looking at his Yves Kleins. They were his. What was he really looking at, the painting or its value? Both, without a doubt; I don’t know. Ultimately, it’s touching.

"My father also started to buy paintings at the end of his life. Bad paintings, but he liked them. I find it very moving."

[© 2016 by J.C. Mrazek]

Links:
https://www.youtube.com/watch?v=GUStWsegZ0k

Monday, August 10, 2015

Steve Earle & the Dukes take Mad City by storm

Steve Earle plays harmonica & guitar simultaneously 

No sane, pop-musically aware person denies that Steve Earle is a great songwriter.  Several superb Americana artists have recognized Earle's genius by covering his tunes.  They make for a diverse Who's Who, from the sublime to the ridiculous:  Johnny Cash, Joan Baez, Waylon Jennings, Emmylou HarrisVince GillPatty Loveless, Travis Tritt & that achy-breaky Miley maker, Billy Ray Cyrus.

 Steve also plays his own songs brilliantly in concert.  I've now witnessed him do it twice & I can attest to the Hardcore Troubadour's enduring performance chops.  But on Saturday night (August 8th) at the Barrymore Theatre in Madison, Wisconsin (USA), Steve Earle & the Dukes blew the roof off the joint with a pair of groovy covers, both rock 'n' roll radio hits released in 1966:  Jimi Hendrix's menacing "Hey Joe" & The Trogg's riff-rich "Wild Thing."

The latter was itself a cover of a Chip Taylor song first recorded by an obscure US group, the Wild Ones, in 1965.  And it was later covered, of course, by the Jimi Hendrix Experience during their incendiary set at the 1967 Monterey Pop Festival.


cover art by Tony Fitzpatrick, a Chicago-based painter 

Steve Earle & the Dukes played a half dozen numbers from their bluesy February release, Terraplane (New West Records; produced by Ray Kennedy).  One of the finest cuts is "You're the Best Lover I Ever Had," a touching duet between Steve Earle & Eleanor Whitmore.  In his liner notes, Steve explains why he turned to the blues for inspiration on his 16th studio album:

"Hell, everybody's sick of all my f***ing happy songs anyway."

Part of what made Saturday's concert feel special was Steve Earle's charming affection for the people of Madison - or "Mad City," as he called it in one of his many brief but entertaining monologues.  Ever the gentleman, Steve said he understood long ago that we Madisonians "know what's going on."

Introducing "My Old Friend the Blues" (from his masterful 1986 album Guitar Town, which also delivered such gems as "Someday" & "Fearless Heart," which the audience also got to hear live on Saturday), Earle quipped:

"There are many remedies for the blues," Steve said.  He paused dramatically, then delivered the punchline:  "But there is no cure."

There's also no cure for idiocy.  I'm talking about that inebriated concertgoer intent on ruining the experience of others through his obliviousness.  For example, at this show I had to deal with a pair of drugged-out, talkative, gesticulating morons in the row of folding chairs ahead of mine.  I could finally take no more, so I leaned in to serve a reality check to one of those young buttheads (he was sporting a red bandana headband, no less).

"Less talk and more listening, otherwise I'll have all of you f***ers ejected.  Got it?"

Apparently he did.  After recovering from the shock of my threat, he moved up to the front row.  Even so, he was warned by ushers several times to stay in his seat instead of dancing in the aisle He finally left the show early & went outside to bother a pedicab driver.  By then, I'd already relocated to the back of the 1000-seat theater, where the volume of the music didn't quite require earplugs.

The Dukes are a tight backing unit.  On drums is Will Rigby, a co-founder of power pop pioneers the dB's.  Will has been a member of Steve Earle's crew since the turn of the century.  The giant acoustic & manly electric bass was handled by Kelly Looney, a collaborator since 1988 who now resides in France.  Opening duo The Mastersons, comprised of husband Chris Masterson (lead guitars, vocals & celebratory pick-tossing) & wife Eleanor Whitmore (fiddle, keyboards & vocals), fill out the band.

In addition to his growling baritone vocals, Steve Earle chimed in on rhythm guitar (acoustic & electric), mandolin ("Galway Girl"!) & harmonica (when possible, using a retro hand-held microphone).  He has a forthcoming memoir in 2015, the year ol' reliable Steve turned 60 (in January).  Onstage the ex-con & former crack addict mentioned that he's celebrating 20 years of sobriety this year as well.

The Terraplane was an affordable automobile, manufactured by the Hudson Motor Company from 1932 to 1938.  I advise you to take a ride with Steve Earle & the Dukes on this tour.  Their late model Terraplane blues album, featuring all original Steve Earle songs, will take you to some beautiful sonic places.  Precious few records manage to accomplish that much nowadays.

Links:
http://steveearle.com/
"Go Go Boots Are Back" (audio stream)
Twangnation 's Terraplane review & update on Steve Earle
http://www.americansongwriter.com/2015/09/steve-earle-tackles-confederate-flag-controversy-with-mississippi-its-time/

Tuesday, May 27, 2014

A love-letter to Madison: culinary delights, mad music & an ethnic festival



Many Wisconsinites have no clue what a gem their state capital has become.  I confirmed my appreciation for Madison during a recent five-day sojourn (May 14-19).  Now, after a Memorial Day afternoon spent drinking in Racine at a weird backyard concert-cum-foodfest for the over-60 crowd - ironically, next door to the former home of Victor DeLorenzo’s (the Violent Femmes) parents on Markridge Circle - I felt like many former Madison residents who reside here in (what used to be called) the Belle City:  as though I’d been exiled from the Land of Oz for some unfathomable Kafkaesque reason.  

The cover bands that host John hired for this geriatric gathering in Mt. Pleasant were serviceable.  A duo called Mississippi Blue played songs by Bob Dylan (“Visions of Johanna”), Jackson Browne (“Running on Empty,” at my request), Steve Earle,  the Eagles et al.  Milwaukee’s Freddy & the Cruisers, a tight 4-piece oldies band featuring a great female drummer who owns a groovy customized 1959 Morris Minor work-van to haul her kit.  As much as I dug talking with the musicians, I met just one interesting person in the audience, a bearded boy who interned for Will Allen’s inner-city Milwaukee community-garden project in 2010.  

By contrast with the vitality I’d observed in Madison, the holiday scene in Racine was on life-support.  In one case, almost literally.  As I approached to get a brat, the geezer tending the dual grills appeared to be stroking out.  I could not rouse him from his glazed unconsciousness as he slumped in a lawn chair.  “It’s only 12:15 and already there’s one fatality,” I thought.  But I’m glad to report that the glazed gent recovered; he did not die at his duty-station beside the sizzling meat after all.  

Meanwhile, I prefer to recall my extended weekend in Oz (i.e Madison).  Arriving on Wednesday afternoon, I met my friend Tony (aka Sky), a state office worker, at his westside home.  We walked his border-collie Dylan in a rustic neighborhood woods with freshly sculpted mountain-bike trails (Rocky Bluff, just north of Hoyt Park).  Then we settled in for refreshments on the sunny deck of his nicely landscaped backyard.  

Sky & I have known each other since 1966, our first grade at St. Edward’s elementary school in Racine.  We remained friends throughout Catholic high school (St. Catherine’s), but lost touch, reconnecting after Sky’s post-Peace Corps move to Madison in the late 1990s.  I’ve lived in the liberating mini-metropolis of “Madtown” several times since my undergraduate days at the University of Wisconsin (1980-86).  I even served for eight months as an Assistant City Attorney there in 2001.  (Prosecuting traffic & underage-drinking cases proved too stressful - yet, paradoxically, too mundane - for me.)   

My mission for the next five days was twofold:  (1) to sample Madison’s delicious & diverse mid-May cultural offerings; and (2) to find a female lover.  (I’ve been involuntarily celibate for so long now that my condoms have expired.)  I regret to report that I failed to achieve my second goal, despite heroic attempts at dancing, flirty conversation & smoldering eye-meets.  I did, however, succeed at savoring the essence of this city of colleges, music-clubs & interesting restaurants built upon an isthmus straddling Lakes Mendota & Monona.  

You might’ve heard that Otis Redding, as well as several members of his backing band, the Bar-Kays, died in the shallow waters of misty Lake Monona on December 10, 1967.  The tragedy was due to a mysteriously doomed flight (cause:  officially undetermined) from Cleveland.  Sadly, it’s true - there was one survivor & six victims.  For more details, see:  http://host.madison.com/news/local/doug_moe/doug-moe-years-later-questions-still-remain-over-otis-redding/article_c4101fa0-4236-11e2-b870-0019bb2963f4.html.

But at least those legendary recording artists gave their lives for a good cause:  they were bringing hot soul music up from Memphis and sharing it with the many Stax/Volt fans awaiting their arrival at the Factory on Gorham Street in Madison, anticipating the charismatic Redding acting as a sort of tall black swivel-hipped Santa Claus.  You can watch his riveting perspiration-soaked performance at the Monterey Pop Festival (June 1967) in a documentary film of that name. 

So now it’s Wednesday evening on State Street, downtown Madison during graduation week.  Model-hot young folks are strolling past everywhere you look.  Sky & I head for the Orpheum Theater, a vast vaudeville house turned ornate movie palace turned occasional music hall, to catch Neko Case & her band in concert.  She did not disappoint her adoring fans, delivering a solid soulful performance of her many brilliant songs (e.g. “Margaret vs. Pauline” & “This Tornado Loves You”).  

Backed by four middle-aged white guys (maybe there’s hope for me after all) plus harmony vocalist Kelly Hogan, who proudly announced that she lives in Evansville (Wisconsin/USA) Case delivered the musical goods - as well as some funny lines of banter.  The only sour note was struck by some moron yelling “Fight harder & show us you love us!” in a belabored allusion to the title of Case’s 2013 album The Worst Things Get, the Harder I Fight, the Harder I Fight, the More I Love You.  Neko graciously ignored the wiseass remark.

Suddenly it’s the weekend.  My pal Dave, unfortunately, is too tired from teaching high school all week to go out on Friday.  The evening before, Dave & I dined on carne asada & a Bad Breath Burger, washed down with refreshing Lake Louie pilsener beer, at the Weary Traveler gastro-pub, located next to a tattoo parlor & Star Liquor at 1201 Willy Street.  So I venture out solo, guided by the ample music listings in Isthmus:  there are 40 venues in metro Madison featuring live shows that Friday.  

My first stop:  Bandung, an appealing Indonesian restaurant & bar at the foot of Williamson (aka WillyStreet - next door to Madcity Music Exchange, where I’d traded eight vinyl jazz & hip-hop albums for $7.00 that afternoon.  Located within a stone’s throw of Lake Monona & a mere kilometer from the site of the famous citizens’ 2011 Rotunda Revolt against Gov. Scott Walker’s evil Act 10 (gutting most civil-servants’ hard-won union rights) inside Wisconsin’s historic domed 1900-era limestone state capitol, Bandung offered two musical acts that night.

The first band was called the Oudists, an exotic trio of oud-player, hand-drummer & a woman singing in Arabic, rendered even weirder by a pair of 40-something blonde Caucasian-American ladies belly-dancing.  The headliner stunned me:  a duo from the larger Brazilian-music group Samba Novistas, featuring Rio de Janeiro native Anapaula Strader on vocals (alto) & Madison native Jeff Alexander on a sensitive tropical-wood acoustic guitar.  (A pair of amateur guest percussionists barely enhanced the sound.)

I felt privileged to be among the dozen patrons digging this swinging samba duo's melancholy yet lively repertoire of Brazilian songs, originals (in English as well as Portugese) & covers, including Dylan’s “Knockin’ on Heaven’s Door.”  Anapaula may have botched Bob’s lyrics, but her emotional interpretation of that resigned dirge was spot-on.  Jeff & I shared some medicinal herb on the patio after the gig (marijuana was decriminalized decades ago in enlightened Madison:  you’re legally allowed to possess up to one ounce at home).

Saturday in nearby Stoughton (Wisconsin/USA), a Norman Rockwell-esque town of 13,000 souls, it was Syttende Mai.  The 17th of May is a national holiday in Norway & Stoughton is rotten with beautiful blonde Norwegian-Americans.  On this date in 1814, Norway ratified its first constitution, cementing independence from Denmark.  Dave, his elderly but still fun parents I checked out the local Edvard Grieg (male) Chorus, some gorgeous pieces of rosemaling, a folk-art style of painting on practical wood products) & a craft fair.  We sampled tasty Swedish meatballs & ate some lefse, a simple tasty pastry, in a 1930-era Art deco-style armory, at a benefit for the local Norwegian Dancers.

On Saturday night, back in Madison, Dave & I plus a few friends caught VO5, a disco-era costumed curiosity, on the UW Memorial Union Terrace.  Drinking a pitcher of local craft beer with a friends on the comfortably packed terrace was pleasant, but the throbbing music impeded our conversation.  So I joined the crowd of ecstatic dancers instead, eventually dancing with Lulu - an immigrant from Mexico City - and her knockout Spanish friend to covers of ABBA, the Bee Gees & other disco-era hits.  My body & soul both got a revitalizing workout under the stars.

Sunday brought the WORT-FM (listener-sponsored idiosyncratic "community radio") Block Party at a new location.  Thanks to a few whiny neighbors on Doty Street, the party had to be moved from its usual perfect shady spot on the block alongside WORT’s studios.  Jim Goronson & the Madison Homebrewers & Tasters Guild slogan, No Crap on Tap, was still credible.  I drank a Grumpy Troll (Mt. Horeb. WI) Belsconsin, compliments of the enigmatic yet generous Johna Roth, who was visiting from Portland.  I chatted with friends & stood in the sunshine outside my old workplace (Office of the City Attorney).  The music was mostly mediocre, but the weather was spectacular.  To cap off a perfect afternoon, the kind lady who owns the Banzo falafel food-truck shared some yummy hummus & warm pita bread with me.

Returning to Racine was a downer after my adventures in metropolitan Madison.  But I’m trying to make the best of it here until my next visit to Wisconsin’s fantastic capital.  If you’re still skeptical, go see for yourself how amazing Madison can be in the warm months.  You will not be disappointed, unless you're already dead inside.

[© 2014 by J.C. Mrazek]

Wednesday, July 7, 2010

Cory Chisel & some Fourth of July synchronicity

Well, it's nearly Independence Day & I just experienced a weird bit of pre-midnight synchronicity at the University of Wisconsin Memorial Union (UWMU). Here's the story, friends, as briefly as I can sketch it.

"The show ain't great till somebody gets naked," said Cory Chisel from behind Ray-Bans on the sun-blinded stage at Memorial Park in Appleton this afternoon, near the end of his fantastic hometown set with The Wandering Sons. Part gospel fervor, part hipster cool - a perfect blend in music & style.

As much as it pains me to say it, a performance by mediocre LA roots-rockers Dawes' here at the UWMU terrace tonight might have officially gotten great: I just saw a nude dude diving off the pier into Lake Mendota. In fairness, he seemed more inspired by booze than music.

I still maintain, as I said to the UW sound guy, that Dawes sucks compared to Cory's band. Anyway, the thing is, I saw Cory open for Dawes in February at the Mercy Lounge in Nashville - and he was far better than them.

Okay, nobody's ever erected a monument to a critic. But the truth deserves to be told. While getting Cory's autograph on his (re-released 2006) CD "The Little Bird" today, he said that he was still jetlagged after his return from the famous Glastonbury Festival in England.

For you trivia buffs, Cory Chisel shares a hometown with fellow Appletonians Houdini & Willem Dafoe. Cory certainly knows how to make magic with a guitar & microphone. You lucky people in the Fox Valley can see him at the Paperfest in Kimberly & at Cranky Pat's in Neenah later this month.

And God bless America - for producing such wonderful music!

Friday, May 28, 2010

Farewell, (UW Professor) Nancy Kaiser

I found the Spring 1988 (the same year I visited East Berlin) issue of the UW-published Monatshefte. It's the classic Lester W. J. Seifert issue guest-edited by (my ex-linguistics prof) Juergen "Aber Deutsch ist eine leichte Sprache!" Eichhoff - on a free-books cart at the Oregon Public Library yesterday. Pathetically it featured a "5 cent" sticker (& the initials DL) on the groovy green cover.

Inside I found a book review by Nancy A. Kaiser captioned "Women in German Yearbook 1: Feminist Studies and German Culture." I especially enjoyed her phrase "Johnson's critical examination of gendered structures in the West German Peace Movement." It makes me nostalgic for my waning undergraduate-student days. Ah, Madison, Wisconsin - circa 1986...

Have a happy retirement, Professorin Kaiser! Danke noch einmal fuer Deine fantastische Hilfe mit meiner Honors-These ueber die Berliner Mauer!
Dein Freund und Student

Josef C. Mrazek

Sunday, April 25, 2010

Rep. Tammy Baldwin & the 3-legged dog

I met a vet student walking her 3-legged white wolf-like collie mix at the tip of Picnic Point Friday afternoon. That was one frisky, well-adapted, happy, fast-moving 5-year-old puppy! I could tell that she wanted to jump into Lake Mendota & swim after some ducks near the shore.

On Saturday afternoon I saw Rep. Tammy Baldwin (Democrat), the lesbian Congresswoman from Madison, running along the Picnic Point trail. I wanted to say "Run, Tammy, run!" But I gave her the gift of anonymity instead.

She is an inspiring political leader, but not quite as inspiring as that dog with three legs.

Thursday, April 22, 2010

Bumper Sticker in Madison, Wisconsin - April 22 (Earth Day), 2010

On a car parked beside Lake Mendota,
at the Warner Park boat launch:
"I'd rather be at a STEVE EARLE concert."
Amen, man. Nice graphics too. Sunny day.
I gave a shout out to the folks on the jetty
who owned the vehicle bearing that sign.
The Hardcore Troubadour lives!