Tuesday, May 27, 2014

A love-letter to Madison: culinary delights, mad music & an ethnic festival



Many Wisconsinites have no clue what a gem their state capital has become.  I confirmed my appreciation for Madison during a recent five-day sojourn (May 14-19).  Now, after a Memorial Day afternoon spent drinking in Racine at a weird backyard concert-cum-foodfest for the over-60 crowd - ironically, next door to the former home of Victor DeLorenzo’s (the Violent Femmes) parents on Markridge Circle - I felt like many former Madison residents who reside here in (what used to be called) the Belle City:  as though I’d been exiled from the Land of Oz for some unfathomable Kafkaesque reason.  

The cover bands that host John hired for this geriatric gathering in Mt. Pleasant were serviceable.  A duo called Mississippi Blue played songs by Bob Dylan (“Visions of Johanna”), Jackson Browne (“Running on Empty,” at my request), Steve Earle,  the Eagles et al.  Milwaukee’s Freddy & the Cruisers, a tight 4-piece oldies band featuring a great female drummer who owns a groovy customized 1959 Morris Minor work-van to haul her kit.  As much as I dug talking with the musicians, I met just one interesting person in the audience, a bearded boy who interned for Will Allen’s inner-city Milwaukee community-garden project in 2010.  

By contrast with the vitality I’d observed in Madison, the holiday scene in Racine was on life-support.  In one case, almost literally.  As I approached to get a brat, the geezer tending the dual grills appeared to be stroking out.  I could not rouse him from his glazed unconsciousness as he slumped in a lawn chair.  “It’s only 12:15 and already there’s one fatality,” I thought.  But I’m glad to report that the glazed gent recovered; he did not die at his duty-station beside the sizzling meat after all.  

Meanwhile, I prefer to recall my extended weekend in Oz (i.e Madison).  Arriving on Wednesday afternoon, I met my friend Tony (aka Sky), a state office worker, at his westside home.  We walked his border-collie Dylan in a rustic neighborhood woods with freshly sculpted mountain-bike trails (Rocky Bluff, just north of Hoyt Park).  Then we settled in for refreshments on the sunny deck of his nicely landscaped backyard.  

Sky & I have known each other since 1966, our first grade at St. Edward’s elementary school in Racine.  We remained friends throughout Catholic high school (St. Catherine’s), but lost touch, reconnecting after Sky’s post-Peace Corps move to Madison in the late 1990s.  I’ve lived in the liberating mini-metropolis of “Madtown” several times since my undergraduate days at the University of Wisconsin (1980-86).  I even served for eight months as an Assistant City Attorney there in 2001.  (Prosecuting traffic & underage-drinking cases proved too stressful - yet, paradoxically, too mundane - for me.)   

My mission for the next five days was twofold:  (1) to sample Madison’s delicious & diverse mid-May cultural offerings; and (2) to find a female lover.  (I’ve been involuntarily celibate for so long now that my condoms have expired.)  I regret to report that I failed to achieve my second goal, despite heroic attempts at dancing, flirty conversation & smoldering eye-meets.  I did, however, succeed at savoring the essence of this city of colleges, music-clubs & interesting restaurants built upon an isthmus straddling Lakes Mendota & Monona.  

You might’ve heard that Otis Redding, as well as several members of his backing band, the Bar-Kays, died in the shallow waters of misty Lake Monona on December 10, 1967.  The tragedy was due to a mysteriously doomed flight (cause:  officially undetermined) from Cleveland.  Sadly, it’s true - there was one survivor & six victims.  For more details, see:  http://host.madison.com/news/local/doug_moe/doug-moe-years-later-questions-still-remain-over-otis-redding/article_c4101fa0-4236-11e2-b870-0019bb2963f4.html.

But at least those legendary recording artists gave their lives for a good cause:  they were bringing hot soul music up from Memphis and sharing it with the many Stax/Volt fans awaiting their arrival at the Factory on Gorham Street in Madison, anticipating the charismatic Redding acting as a sort of tall black swivel-hipped Santa Claus.  You can watch his riveting perspiration-soaked performance at the Monterey Pop Festival (June 1967) in a documentary film of that name. 

So now it’s Wednesday evening on State Street, downtown Madison during graduation week.  Model-hot young folks are strolling past everywhere you look.  Sky & I head for the Orpheum Theater, a vast vaudeville house turned ornate movie palace turned occasional music hall, to catch Neko Case & her band in concert.  She did not disappoint her adoring fans, delivering a solid soulful performance of her many brilliant songs (e.g. “Margaret vs. Pauline” & “This Tornado Loves You”).  

Backed by four middle-aged white guys (maybe there’s hope for me after all) plus harmony vocalist Kelly Hogan, who proudly announced that she lives in Evansville (Wisconsin/USA) Case delivered the musical goods - as well as some funny lines of banter.  The only sour note was struck by some moron yelling “Fight harder & show us you love us!” in a belabored allusion to the title of Case’s 2013 album The Worst Things Get, the Harder I Fight, the Harder I Fight, the More I Love You.  Neko graciously ignored the wiseass remark.

Suddenly it’s the weekend.  My pal Dave, unfortunately, is too tired from teaching high school all week to go out on Friday.  The evening before, Dave & I dined on carne asada & a Bad Breath Burger, washed down with refreshing Lake Louie pilsener beer, at the Weary Traveler gastro-pub, located next to a tattoo parlor & Star Liquor at 1201 Willy Street.  So I venture out solo, guided by the ample music listings in Isthmus:  there are 40 venues in metro Madison featuring live shows that Friday.  

My first stop:  Bandung, an appealing Indonesian restaurant & bar at the foot of Williamson (aka WillyStreet - next door to Madcity Music Exchange, where I’d traded eight vinyl jazz & hip-hop albums for $7.00 that afternoon.  Located within a stone’s throw of Lake Monona & a mere kilometer from the site of the famous citizens’ 2011 Rotunda Revolt against Gov. Scott Walker’s evil Act 10 (gutting most civil-servants’ hard-won union rights) inside Wisconsin’s historic domed 1900-era limestone state capitol, Bandung offered two musical acts that night.

The first band was called the Oudists, an exotic trio of oud-player, hand-drummer & a woman singing in Arabic, rendered even weirder by a pair of 40-something blonde Caucasian-American ladies belly-dancing.  The headliner stunned me:  a duo from the larger Brazilian-music group Samba Novistas, featuring Rio de Janeiro native Anapaula Strader on vocals (alto) & Madison native Jeff Alexander on a sensitive tropical-wood acoustic guitar.  (A pair of amateur guest percussionists barely enhanced the sound.)

I felt privileged to be among the dozen patrons digging this swinging samba duo's melancholy yet lively repertoire of Brazilian songs, originals (in English as well as Portugese) & covers, including Dylan’s “Knockin’ on Heaven’s Door.”  Anapaula may have botched Bob’s lyrics, but her emotional interpretation of that resigned dirge was spot-on.  Jeff & I shared some medicinal herb on the patio after the gig (marijuana was decriminalized decades ago in enlightened Madison:  you’re legally allowed to possess up to one ounce at home).

Saturday in nearby Stoughton (Wisconsin/USA), a Norman Rockwell-esque town of 13,000 souls, it was Syttende Mai.  The 17th of May is a national holiday in Norway & Stoughton is rotten with beautiful blonde Norwegian-Americans.  On this date in 1814, Norway ratified its first constitution, cementing independence from Denmark.  Dave, his elderly but still fun parents I checked out the local Edvard Grieg (male) Chorus, some gorgeous pieces of rosemaling, a folk-art style of painting on practical wood products) & a craft fair.  We sampled tasty Swedish meatballs & ate some lefse, a simple tasty pastry, in a 1930-era Art deco-style armory, at a benefit for the local Norwegian Dancers.

On Saturday night, back in Madison, Dave & I plus a few friends caught VO5, a disco-era costumed curiosity, on the UW Memorial Union Terrace.  Drinking a pitcher of local craft beer with a friends on the comfortably packed terrace was pleasant, but the throbbing music impeded our conversation.  So I joined the crowd of ecstatic dancers instead, eventually dancing with Lulu - an immigrant from Mexico City - and her knockout Spanish friend to covers of ABBA, the Bee Gees & other disco-era hits.  My body & soul both got a revitalizing workout under the stars.

Sunday brought the WORT-FM (listener-sponsored idiosyncratic "community radio") Block Party at a new location.  Thanks to a few whiny neighbors on Doty Street, the party had to be moved from its usual perfect shady spot on the block alongside WORT’s studios.  Jim Goronson & the Madison Homebrewers & Tasters Guild slogan, No Crap on Tap, was still credible.  I drank a Grumpy Troll (Mt. Horeb. WI) Belsconsin, compliments of the enigmatic yet generous Johna Roth, who was visiting from Portland.  I chatted with friends & stood in the sunshine outside my old workplace (Office of the City Attorney).  The music was mostly mediocre, but the weather was spectacular.  To cap off a perfect afternoon, the kind lady who owns the Banzo falafel food-truck shared some yummy hummus & warm pita bread with me.

Returning to Racine was a downer after my adventures in metropolitan Madison.  But I’m trying to make the best of it here until my next visit to Wisconsin’s fantastic capital.  If you’re still skeptical, go see for yourself how amazing Madison can be in the warm months.  You will not be disappointed, unless you're already dead inside.

[© 2014 by J.C. Mrazek]

Thursday, May 22, 2014

Back to the (sustainable) Future: Retro-chic meets clean technology in downtown Kenosha’s electric streetcars


You can climb aboard a shiny orange, maroon or yellow streetcar in downtown Kenosha and, for just a dollar, take a trip back in time.  But don’t be fooled:  the city’s modest fleet of 60-year-old streetcars is more than a nostalgia novelty.  They barely attract enough rail fans and niche tourists to justify the cost, yet the old electric technology that powers these environmentally clean and surprisingly quiet vehicles, certified “green” by Travel Green Wisconsin, has suddenly become cutting-edge.  

Back to the (sustainable) Future could be a motto for the city’s devoted streetcar advocates, including Teresa Pavelich, treasurer of the non-profit Kenosha Streetcar Society (KSS) and a Kenosha resident since 2006.

“The estimated annual ridership peak was 60,000,” Pavelich said at a recent KSS board meeting.  Fares were lower then, starting at a quarter in 2000-01.  She went on to explain that, with the adult fare now at a dollar and due to some schedule changes, the average annual ridership is currently around 50,000.  Not bad for a short line in a city the size of Kenosha (population: 100,150), but it’s not as high as KSS officers would like. 

The city’s first electric railroad (terminus of the old Milwaukee-Racine-Kenosha line) began carrying passengers in 1912.  Once renowned for manufacturing automobiles, Kenosha is striving to make its retro-chic streetcars iconic.  Visitors now come from around the globe to ride them, says Brad Preston, Streetcar Mechanic for Kenosha Transit.  

An unofficial ambassador for the city’s streetcars as well as a KSS board member, Preston says that more inquisitive streetcar enthusiasts contact him from abroad than from the immediate area.  He recalls that he used to regularly swap information via email with a Slovak streetcar fan.  

Preston laments the fact that the city’s plan to expand the downtown line, as recommended by a 2012 Lakota Group economic study, are on hold - primarily for political reasons.  Part of the infrastructure for a new westward line to the Uptown district, a plan stalled by the economic downturn of 2008-09, has already been completed.  Some people call them trolleys, but there’s an important technical difference:  streetcars run on steel rails, while trolleys (or trolley-buses) move on rubber wheels.  Both vehicle types are powered directly via overhead wires.  

“I don’t care what you call them - as long as you ride them,” Preston declares with a smile.

Opened on June 17, 2000 - some 42 years after the city dismantled its old system - Kenosha’s streetcars follow a two-mile single-track loop.  Beginning near the METRA commuter-rail station, two blocks west of Sheridan Road (Hwy. 32) at 54th Street, the cars travel south on 11th Avenue to 56th Street, near the Dinosaur Discovery Museum.  Turning east on 56th Street, they cross Sheridan Road and pass the Visitor Information Center, moving safely along a grassy median.  

Continuing east alongside the resurrected business district, they pass HarborPark [sic - it’s officially spelled as one word] - summertime site of the vibrant Saturday Harbor Market - as well as the Kenosha Public Museum, Southport Marina and Celebration Place, adjacent to Lake Michigan.  After turning north for two blocks, they glide west on 54th Street, passing the Civil War Museum, City Hall and the McCarthy Transit Center (“streetcar barn”).  

Kenosha’s streetcars, examples of the powerful PCC model, have a top speed of 50 mph, but they’re operated at much slower speeds.  They were manufactured in Canada in 1950, using body shells and parts from the St. Louis (Missouri) Car Company.  The Toronto Transit Commission ran these sturdy machines until 1995.  They were each rebuilt once, circa 1990.  Following their purchase by the city of Kenosha (using some state and federal funds), the cars were refurbished.  Each one is painted so as to replicate a counterpart in another American city, such as Pittsburgh, where PCC streetcars were once operated.  A streetcar that used to run in Philadelphia was donated to Kenosha’s fleet by a benefactor.  Sixteen certified drivers take turns operating the cars. 

In early September, streetcar enthusiasts can get a rare look inside Kenosha’s Transit Center, where the vehicles are maintained - with scrounged or improvised parts - and parked when off-duty.  Organized by KSS volunteers, the second annual Streetcar Day will be held on Saturday, September 6th.  Pavelich and Preston hope the event draws crowds of kids and adults to ride the colorful streetcars.  At least two will be running that day in downtown Kenosha.  

Stops & Frequency
The line has 18 stops.  In the business district, stops are at every intersection.  Elsewhere, the cars stop about every two blocks.  Kenosha’s streetcars run every 15 minutes when in operation (see hours below).  Only severe weather will disrupt the schedule.

Schedule 
Summer, Fall & Holiday Season (April 1st - January 2nd):  
Monday through Friday: 11:05 a.m. until 6:35 p.m.
Saturdays & Sundays: 10:05 a.m. until 5:35 p.m.
The streetcars do not run on Thanksgiving, Christmas & New Year’s Day.

Fares  
Adults:  $1.00 
Children (ages 12 & under):  50¢  
All-day pass:  $3.00 (can be purchased when boarding)

Links:  
http://www.kenoshastreetcarsociety.org (summary of relevant facts, history, Internet links, media coverage, video, etc.)
http://www.downtowntrolley.org (photo & diagram of Kenosha’s PCC cars - by an advocate of Madison’s proposed trolley system)

NOTE:  Permission for me to link (in this blogpost) to the above websites has been granted in writing by the copyright holders via email.

[© 2014 by J.C. Mrazek]

Friday, May 16, 2014

Olde Madrid: Racine’s casually elegant Spanish restaurant

Stepping into Olde Madrid in downtown Racine on a busy Saturday evening, you’re met by a hospitable staff and some enticing aromas.  The dining room seats just sixty, but it features a bar where you can sample the eclectic wine list while awaiting your table.  The bistro’s positive attitude is palpable immediately:  it’s all about family-style sharing of diverse dishes while talking enthusiastically - and perhaps enjoying a potent beverage.  The din inflicted by that noisy crowd of weekend diners was distracting.  But my distress was soon offset by the restaurant’s soothing mango-colored walls and earth-toned Mediterranean decor. 

Olde Madrid’s array of tapas (appetizer-sized portion) dishes - cold and hot, meat as well as seafood and vegetable - is impressive.  The menu offers everything from tangerine olives ($7.99) - a mound of firm green and soft black olives marinated in tangerine juice, stacked among garlic cloves and drenched in olive oil - to delicately battered fried calamari ($7.99), served with marinara dipping sauce.  A spicier alternative to the almond meatballs (in cream sauce with mushrooms - $8.49), the Spanish meatballs ($7.49) are served with ground chili tomato sauce topped with almonds, parmesan cheese and parsley.  

Another piquant little dish is the grilled solo chorizo ($6.99), presented like a cutlet and topped with shaved Manchego cheese.  Roasted chicken and cherries ($7.99) is a delicious blend of sautéed bite-sized chunks of chicken marinated in sherry sauce then simmered with pine nuts, green olives and dried cherries.  Surprisingly, Olde Madrid’s signature dish is not a paella - saffron rice simmered in meat or seafood and veggies - but rather the okra-free seafood gumbo ($14.99), a complex blend of grilled chicken, scallops, shrimp, saffron rice and chorizo with lemon juice, onions and cilantro, cooked in lobster stock and garnished with avocado slices.  

There are several vegetarian offerings - tapas vegetales - such as the goat cheese and spinach salad ($7.99) and a warm sandwich called el canario (lunch only - $7.49), a grilled portabella mushroom cap with roasted red peppers, spinach and melted mozzarella, served with pesto mayo.  The most popular cold tapa, according to co-owner Natalie Salinas, is a very mixed salad called “the Olde Madrid” ($5.99), while the best-selling hot tapa is Maria’s beef stew ($8.99).  The regulars’ top seafood tapa is garlic chili shrimp ($8.99).

Skip the optional bread course and the disappointing seafood bisque.  But do save room for dessert:  the orange zest flan ($4.99), a delightfully textured baked custard, has a hint of rum amidst the caramel.  Gazpacho returns to the menu as a cold soup come summer.  The lunch menu offers several appealing wraps, including the Valencia, a tortilla stuffed with pork, avocado, saffron rice, mixed greens, tomato and chorizo ($7.99).  Sandwiches - including steak - are also available for lunch, served with papas fritas (home-made potato chips) and Spanish olives. 

Olde Madrid’s chef and co-owner, Manny Salinas, is a Chicago native with a culinary-arts degree.  He cites his Spanish mother as the main inspiration for (and sometime source of) his best recipes.  His wife, co-owner and manager Natalie Salinas, is a cheerful Racine native who does some of the baking, including the flan.  Their restaurant has been a reliable fixture in the Belle City since 2007.  They offer catering services for groups or special events.  Olde Madrid recently started hosting Sunday afternoon wine-tasting dinners (check website for dates).


OLDE MADRID - Tapas & Cucina
418 Sixth Street - downtown Racine
262-619-0940 (no reservations taken)
lunch:  11:00 - 2:00 (T-F)
dinner:  4:30 - 9:00 (T-Th) 
         or 4:30 - 10:00 (Fri./Sat.)
closed Sunday (usually) & Monday (always)
Handicapped access:  Yes

[©2014 by J.C. Mrazek]

Tuesday, May 13, 2014

Jews Who Rock, a no-jive turkey & shelter from the storm: my weird day in metro Milwaukee


Before I get to the Jews Who Rock exhibit, I have to mention a few odd phenomena that crossed my path yesterday in metropolitan Milwaukee.  While hunting for the new ReThreads (a clothing swap-store) on East Capitol Drive in tony Shorewood, I spotted a wild turkey behaving in a fairly civilized manner outside the Wells Fargo bank on Oakland Avenue.  I swear that I did not hallucinate or otherwise imagine any of this surreal tale.

The preening cock stood over three-and-a-half feet tall & he was all business.  He let passersby know, by economical body language alone (rarely making so much as a peep), that he was not a bird to be messed with.  Some teen girls out on lunch break from Shorewood High School gave that no-jive turkey a wide berth as they scuttled past, shrieking and giggling.  I didn’t spot a single cop or animal-control officer anywhere.  

In New Orleans or Key West such a sight wouldn’t even raise an eyebrow.  But this was Shorewood, residential base to mostly wealthy whitefolk & the hometown of ultra-square US Supreme Court Chief Justice William Rehnquist.  It’s the kind of inner-suburb where yoga-panted 30-something MILFs perambulate their pampered progeny past Russian-Jewish immigrants' shops to the nearest fancy cafe in high-performance strollers.  So I smiled, silently applauding that rogue fowl’s territorial attitude.  The turkey’s apparent contempt (shades of Neko Case’s animal-rights anthem “People Got a Lotta Nerve”) as he observed the passing parade of vehicles & boutique shoppers certainly suited my mood. 

My laptop wasn’t charging, so I drove to the Apple store at nearby Bayshore Mall in Glendale at around noon.  A pretty blonde greeter referred me to Asher, a wispy ginger-bearded sub-manager.  This tall, skinny dude informed me that the next available appointment with one of their “geniuses” was at 4:30.  Well, I didn’t need a genius to tell me that Apple Inc. and its arrogant minions didn’t give a shit about my eBay-bought iBook and its short-circuiting adapter cord.  So I split, arriving at a Colectivo cafe in the old water-system pump-house near the McKinley Marina for a salad and some people-watching in the downpour.

Afterwards, I stopped by the Jewish Museum of Milwaukee (est. 2008) to check out a new exhibit I’d just read about in the Shepherd Express, latest publisher of my freelance journalism.  On display through August 10th, Jews Who Rock is a single-room exhibit about Jews who helped make pop music & rock ‘n’ roll cool over the past six decades.  Go ahead:  try to imagine how vacuous contemporary music might’ve become if Jews hadn’t written such songs as “Jailhouse Rock” (by Jerry Leiber & Mike Stoller) or “It’s Too Late” (by Carole King).  

The cast of characters ranges from Fifties deejay & payola mastermind Alan Freed to the multi-talented Barbra Streisand, who sang in her Brooklyn high-school choir with Barry Manilow.  There are nods to characters like the intermittently insane Warren Zevon, whose Pa was reputedly a Jewish gangster in LA, his Ma a Mormon (so under Jewish law, I reckon he’s no Jew at all).  Then there’s the entrepreneurial Jann Wenner, founding publisher of Rolling Stone (est. 1967) & benefactor to the gentile - but rarely genteel - Hunter S. Thompson, a gonzo journalist & self-mythologizer with rock ‘n’ roll attitude to burn.  

I cannot recommend the Jews Who Rock exhibit, if only because the museum charges adults $6 & it just ain’t worth the price of admission.  Besides, it consists mainly of predictable texts on bowling-league-sized plaques, plus some safe photographs & a few souvenir records.  Unsurprisingly, it was organized by a generic entity called “National Exhibitions & Archives, LLC.”  

Instead of paying, I emulated Al Kooper, a non-observant Jew whose display of chutzpah in May 1965 at the Columbia Records studio in New York City when Bob Dylan recorded “Like a Rolling Stone” is deservedly legendary.  Kooper finagled his way into the musicians’ room & managed to come up with an organ part that Dylan dug & made the key riff of that breakthrough song.  Yet Kooper had rarely even played keyboards before.  Less impressively, I talked my way into the Jewish Museum by offering to blog about this exhibit in lieu of paying admission.  It worked, folks, and I don’t feel a shred of guilt about the deal.

I did, however, learn something new.  Namely, that Madison-based jazz-piano master Ben Sidran (formerly of the Steve Miller Band) was, like me, raised in Racine.  Ben was born in Chicago, whereas I was born in Heidelberg (Germany), exactly twelve years after Jackson Browne met the world in that lovely town - since 1945 the HQ of the US Army in Europe.  My favorite photo in the Jews Who Rock exhibit shows Bob Dylan (born Robert Zimmerman in Duluth) circa 1964, holding an acoustic guitar at a table, seated across from Allen Ginsberg & (a guy who appears to be goy novelist) Ken Kesey with a blonde boy on his lap.  

There’s a box of puffed-rice cereal at Ginsberg’s elbow, a nice mundane touch.  Dylan looks bemused & beatific, a Beat trickster’s apprentice, a persona he frequently adopted in public before the pressures of fame drove him underground in ‘66.  The museum’s permanent exhibit is fine, if you’re fascinated by the history of Jews in Milwaukee (Golda Meir et al.).  Just know in advance that it goes on & on, like a garrulous Jewish mother (or even mine) urging you to eat the chicken soup, lest you catch a cold in this awful weather we’re having.  At least the Jews Who Rock display is presented in a well-lit room.  

Check out this ethnic niche museum if you need a break from the Summerfest crowds.  The Jewish Museum of Milwaukee, located at 1360 N. Prospect Avenue, is within walking distance of that (now all-too corporate) music festival’s beer-soaked grounds along Lake Michigan.  Bonus trivia question:  Which member of the J. Geils Band was not Jewish?  (Answer:  Mr. Geils himself!  Peter Wolf, the group’s gifted cantor - I mean, singer - hails from Boston.)

Finally, a few hours later, I was typing an e-mail at the Racine Public Library (RPL) when a young lady’s voice ordered everyone to take shelter in the basement.  A tornado warning had been issued for the Belle City & the renovated RPL has an entire wall of plate-glass facing the great lake.  As a result, a few dozen patrons - mostly women and children - hung out in the bowels of the RPL, awaiting either the all-clear or our moment of doom.  I kept humming "This Tornado Loves You" by Neko Case to amuse myself.  

It ended well, of course, and I left bearing two mint-condition albums of show-tunes by Noel Coward and Kurt Weill (another Jew), compliments of the generous Friends of the Library.  I survived the meteorological - as well as the zoological - weirdness of a thunderstorm-damaged afternoon in southeastern Wisconsin.  But I can’t help but wonder how that poor turkey’s doing.

Meanwhile, groovy Jews like Neil Diamond, Mark Knopfler (Dire Straits), Kinky Friedman (& his Texas Jewboys), Susanna Hoffs (the Bangles), Paul & Carly Simon just keep on rockin’ in the free world.  I remain eternally grateful to them as well as to their (presumably Jewish) agents & managers. 

Now picture Lou Reed entering a kosher version of Rock & Roll Heaven, where he gets to jam with fellow Jews such as Jeffrey Hyman, aka Joey Ramone (the Ramones), Buddhist convert & bassist/rapper Adam Yauch (the Beastie Boys) or Milwaukee’s own Howie Epstein, bassist with Tom Petty & the Heartbreakers as well as a session player on many famous records.  Oy, play!