Showing posts with label The Band. Show all posts
Showing posts with label The Band. Show all posts

Wednesday, July 30, 2014

My date with Derek: This Is Spinal Tap turns 30, mock-rock fans still love to Smell the Glove


I once had sex with Derek Smalls, fictional bass player in the parody metal band Spinal Tap (played in the mockumentary by Harry Shearer).  Okay, that’s a misleading statement.  In fact, I fucked a facsimile of gentle Derek.  

Inside that flare-legged jumpsuit with a blatantly stuffed package, the slim-hipped creature I met & made love to was actually a young woman in a gender-bending costume.  Whatever.  This faux Derek was hot - albeit androgynously so.  I didn’t know whether to kiss him/her on the cheek or merely shake hands.  

Heterosexual by nature, I found the turn-on rather awkward.  Yet I’m man enough to admit that I grew an instant - uh - crush on him/her.  This led to satisfying coitus by night’s end.  That doesn’t make me a rock ‘n’ roll groupie, does it?  I’d hate to embody that cliché.  Let me explain by setting the scene.  

Voice-over by activist-actor Peter CoyoteIt was the fall of 2001.  The nation was at war again, in remote Afghanistan this time.  Even stateside civilians lived like there might be no tomorrow.  With W & his evil sidekick Dick in the White House, things got very weird for the next seven years.

So in late 2001, on a bracing Friday evening not long after my 41st birthday, I was attending a “fancy dress” (British for costume) party on the eastside of Madison, Wisconsin (USA).  It had a perennially hip humorous theme:  This Is Spinal Tap.  I had no idea that I was about to experience a reverse-Lola moment.  In the living room a big TV played the Show of Honor on DVD.  The party’s main action, however, was in the basement.  A lousy garage band played far too loudly.  But with a keg of beer flowing freely, nobody complained.  

I approached a medium-sized person dressed in a Derek Smalls get-up, complete with dark mullet, chinless beard & a messy nest of chest hair.  I struck up a conversation.  The alto-voiced lady-in-drag & I hit it off.  Before long we left to go shoot pool at nearby Mickey’s Tavern.  Only then did she remove the fake fur, revealing a friendly babe with a fantastic sense of fun.  Later that night I learned that she was blonde underneath the wig (& elsewhere). 

You know the movie, don’t you?  If not, here it is in a nutshell:  A mostly improvised 82-minute satire with several deserving targets, This Is Spinal Tap bombed at the box office upon release in 1984 - exactly 30 years ago Friday (August 1st).  A lot of people didn’t get the extended joke:  aging British rock band releases new album (Smell the Glove) & arranges a US comeback tour that turns out to be ridiculously doomed.  

It features a host of gifted comic actors doing cameo appearances.  Bruno Kirby plays an embittered limo driver, while  Howard Hesseman is a nasty rival band manager.  Billy Crystal & Dana Carvey play catering-company mime/waiters in New York.  Fran Drescher vamps as high-maintenance record-company PR flack Bobbie Flekman & David Letterman’s musical sidekick, Canadian import Paul Shaffer, says “kick my ass” as Polymer Records incompetent promoter Artie Fufkin.

The feature film was embraced by a growing legion of fans upon its VHS videotape reboot.  But the stars who created it got ripped off & supposedly never made any money from their red-headed stepchild’s subsequent success.  Nevertheless, the movie started a buzz - it had legs that still keep it moving after 30 years.  That’s an eternity, measured in the rapidly passing time of disposable pop culture.

Sample dialog:  Christopher Guest, as boyish bullshit-artist/guitarist Nigel Tufnel, telling fan & film documentarian Marty DiBergi (Rob Reiner):  I'm really influenced by Mozart and Bach, and it's sort of in between those, really.  It's like a Mach piece, really.  It's sort of -
DiBergi: What do you call this?
Tufnel: Well, this piece is called "Lick My Love Pump." 

Or dig the famous bit where Nigel explains to Marty that the volume knobs on his amplifiers go all the way to eleven.  But they’re no louder than standard amps, which only go up to ten.  Marty’s puzzled.  Why not just make the amps louder? he asks.  “But these go to eleven,” Nigel whines, after a long pause.  He’s a spoiled 30-something idiot, proud of his noisy toys.  

Less invention was required to author & improvise those scenes than you might think.  Reiner, Guest & company had done their research. In a recent conversation with Greg Kot & Jim DeRogatis of WBEZ-FM Chicago public radio’s outstanding program Sound Opinions, co-writer & then first-time director Reiner said that the scene where the bumbling Spinal Tap members get lost en route from the dressing room to the stage was based on a real incident involving Tom Petty & the Heartbreakers, who reportedly got so stoned in the green room that they couldn’t manage to locate the stage entrance.

Reiner admitted that he based his enthusiastic documentary film-maker, Marty DiBergi, on Martin Scorsese.  Scorsese’s concert film about The Band, The Last Waltz (1978), inspired some of the looniness captured on celluloid forever by Reiner.  Amateur - yet accomplished - musicians Guest, Shearer & Michael McKean (as David St. Hubbins) played themselves into pop-culture immortality.  Most enlightened rock & film critics (Gene Siskel & Roger Ebert gave it two hearty thumbs up) agree:  This Is Spinal Tap is not only one of the best insider movies about the business of rock ‘n’ roll & its many greedy players, it’s also one of the best comedies ever issued by a Hollywood studio.

Saturday Night Live alumni Shearer & Guest, along with McKean & an ensemble of talented improv actors that includes Fred Willard (who appears in Spinal Tap as a clueless US Air Force colonel), Parker Posey, Jane Lynch, Catherine O’Hara & Eugene Levy, went on to make several more satires.  They deftly skewered the Sixties folk-music generation in A Mighty Wind (2003).  They lambasted purebred-dog competitions (Best in Show, 2000) & community theatre (Waiting for Guffman, 1997).   They even used their sharp comic wits against their own kind, sending up vain Hollywood actors in For Your Consideration (2006).

You may be wondering, whatever became of my faux Derek?  We dated a few times, but we didn’t deploy disguises or engage in role-playing.  We had some good clean (sometimes naked) fun.  But she lost interest faster than I did, for a change.  Derek’s real name was Sara & she was a gem, but we lived 75 miles apart.  At least I have a good memory tied to that great movie, in that mad era in American history.  

This Is Spinal Tap may be 30 years old, but it still smells fresh as a new glove to its many admirers around the world.  As David St. Hubbins philosophically put it, “It’s such a fine line between stupid & clever.”  Rock on, Tap!  Milwaukee’s Shank Hall awaits your next tour.

NOTE:  Here's a link to the excellent Sound Opinions podcast featuring the Rob Reiner interview about Spinal Tap:  http://www.soundopinions.org/show/451/#robreiner

[© 2014 by J.C. Mrázek]

Monday, February 1, 2010

Would The Band by another name sound as sweet?

In British music critic Peter Doggett's fine book "Are You Ready for the Country: Elvis, Dylan, Parsons and the roots of country rock" (2000), I came upon this funny story by Levon Helm, winner of the 2010 (first ever) Grammy award for best Americana album for "Electric Dirt," about choosing a name in 1967 for his most famous group, The Band (Rock & Roll Hall of Fame, Class of 1994):

"We were going to call ourselves the Crackers [i.e. Southern black slang for poor white folks]. I was proud to come out of an Arkansas farm, and the other guys [all Canadians] weren't exactly rich, either. So we thought we should tell it like it is. And then we figured, no, maybe it will piss people off. Sometimes I wish we had gone with the Crackers, just to push it in their faces."

Fellow Band member Richard Manuel, who committed suicide by hanging after a post-gig conversation with Helm in Florida in 1986, said that they also wanted to call themselves The Honkies. Serious as they usually sounded, The Band certainly had a sense of humor. Guitarist Robbie Robertson, writer of perhaps the Band's greatest songs ("The Weight" & "The Night They Drove Old Dixie Down") let Levon take the lead vocal on those numbers. A very good move, as it turned out.

Congratulations on the Grammy, Levon. Sure wish I could attend one of those Midnight Rambles on your rural property in upstate New York. That would be a wonderful & possibly weird evening of old-fashioned entertainment.

Sunday, January 10, 2010

Joan Baez , Birthday Gal: "Dixie," Dylan & The Band

Sensational soprano singer/songwriter & guitarist Joan Baez turned 69 on January 9th. She's still a beauty as well as an inspiring social & political activist. The first big - and youngest - star of the late-Fifties folk revival, Baez had just one pop-radio hit (a Billboard chart #3 in 1971) with Canadian-bred Robbie Robertson's Civil War-themed ballad "The Night They Drove Old Dixie Down."

Baez's cover version might not have as great an arrangement as The Band's original 1969 recording, which features a creaky rustic lead vocal by Levon Helm, but it stills give me chills. Robertson was inspired to write that brilliant, poignant song after hearing several people in Dixieland claim that 'the South will rise again.' "There's a pain here, there is a sadness here. In Americana land, it's a kind of a beautiful sadness," Robertson has said about his timeless "Dixie Down."

By the way, Baez does a devastating impression of her ex-boyfriend Bob Dylan (see Scorcese's Dylan documentary "No Direction Home"), with whom she shared many stages from 1963 (Newport Folk Festival & the historic March on Washington) to 1975-76 (the Rolling Thunder Revue tour). Maybe it's her revenge for Dylan's wisecrack that "folk music is for fat people."